Review: Three Ways to Capsize a Boat - Chris Stewart
Ever since Jerome K Jerome had such a phenomenal and long-lasting success with Three Men In A Boat, other travellers have written humorous accounts of their exploits, increasingly so in recent years. There seems to be a vast market for these books, and I enjoy
reading them from time to time, usually as light relief from my heavy
schedule of more serious books. The range available is vast: there are accounts of going to live in foreign countries (e.g. Stephen Clarke, A Year in the Merde), taking on ridiculous challenges (e.g. Tony Hawkes, Round Ireland With A Fridge) or just humorous travel journals (e.g. Stuart Maconie, Pies and Prejudice).
Chris Stewart's books are firmly in this category, and I can say they are among the best. Ever since his hugely successful Driving Over Lemons, Chris has charmed us with his light-hearted approach to seemingly impossible challenges. I remember reading "Lemons" during a period of commuting to London in a cold winter and turning away from views across Battersea to Chris's descriptions of Andalucia, which helped me forget that I was about to join the "I did not know death had undone so many" hoards scurrying over Waterloo Bridge.
Chris Stewart is a little like Michael Palin, in that he seems to be a genuinely nice guy, an ideal travel companion, even on the printed page. John McCarthy interviewed him on Radio 4's Excess Baggage last week about his new book Three Ways to Capsize a Boat and clearly Chris is a generous-minded man, given to self-deprecation and complete lack of boasting. I had this book on my "to be read pile" at the time, and as I injured my knee last Sunday and was pretty much bed-ridden from Monday to Wednesday, I decided to promote "Three Ways" to the top of the pile and see if Chris could lighten my mood as he did those years ago while on the commuter train.
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The middle of the last century was evidently not a good time to be a child, such is the rash of books describing what one national bookseller now categorises on its shelves as “Tragic Childhoods”. I have read a few of these, the determining factor in my choice being not the degree of tragedy displayed on the back cover of the books but whether I am actually interested to read about the author for other reasons. Having just read and enjoyed Sutherland’s “How to Read a Novel”, with all its insights into the publishing industry, I decided to read 
